Kevin Crawford est membre fondateur de la troupe Roy Hart Theatre. Il a tourn\u00e9 avec la compagnie pendant plus de vingt ans, avant d\u2019habiter en Irlande o\u00f9 il a \u00e9t\u00e9 Professeur au School of Drama,Trinity College. En 2001, il a \u00e9t\u00e9 dipl\u00f4m\u00e9 MA in Voice Studies au Royal Central School of Speech and Drama.<\/p>\n\n\n\n
En 2002, il a \u00e9t\u00e9 Professeur invit\u00e9 \u00e0 l\u2019Universit\u00e9 d\u2019Artois avant de rejoindre l\u2019Accademia dell\u2019Arte, \u00e0 Arezzo en Italie o\u00f9 il a dirige le MFA in Physical Theatre jusqu\u2019au 2018. Ses mises en sc\u00e8ne incluent \u00abWolf\u2019s Bride\u00bb, \u00abThe Bacchae\u00bb et \u00abBartholomew Fair\u00bb. R\u00e9cemment il a \u00e9crit et jou\u00e9 \u00abMontee\u00bb en collaboration avec Caroline Boersma, violoncelliste : repr\u00e9sentations aux Etats Unis, en Italie et en France.<\/p>\n\n\n\n
Kevin Crawford s\u2019est form\u00e9 avec Roy Hart, Marita G\u00fcnther, Derek Rossignol, Robert Harvey, Lisa Mayer, Dorothy Hart et Vivienne Young.
Il parle anglais, fran\u00e7ais, italien.<\/p>\n\n\n\n
Contact:<\/strong> Articles publi\u00e9s par VASTAVOX\u00a0 JOURNAL<\/strong> (non traduits en fran\u00e7ais) : Livres : <\/p>\n","protected":false},"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"spoken-language":[149,150,154],"country":[123],"teacher-status":[76,48],"class_list":["post-13166","teachers","type-teachers","status-publish","hentry","spoken-language-anglais","spoken-language-francais","spoken-language-italien","country-italie","teacher-status-autres-professeurs","teacher-status-roy-hart-teacher"],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/teachers\/13166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/teachers"}],"about":[{"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/types\/teachers"}],"version-history":[{"count":5,"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/teachers\/13166\/revisions"}],"predecessor-version":[{"id":38041,"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/teachers\/13166\/revisions\/38041"}],"wp:attachment":[{"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/media?parent=13166"}],"wp:term":[{"taxonomy":"spoken-language","embeddable":true,"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/spoken-language?post=13166"},{"taxonomy":"country","embeddable":true,"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/country?post=13166"},{"taxonomy":"teacher-status","embeddable":true,"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/teacher-status?post=13166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
E-Mail:\u00a0kevincrawfordvoice@gmail.com<\/a>
Site web :\u00a0\u00a0https:\/\/kevincrawfordvoice.com<\/a><\/p>\n\n\n\n
\u2013 Musique et Folie dans le Texte Po\u00e9tique<\/strong>
Inspir\u00e9 par le livre MUSICOPHILIA d\u2019Oliver Sachs, description des strat\u00e9gies pour d\u00e9crypter un texte th\u00e9\u00e2tral, s\u2019appuyant sur une approche physique o\u00f9 musicalit\u00e9 et dynamique du verbe s\u2019informent mutuellement.
\u2013 Tangents et Paraboles<\/strong>
Tangents et paraboles propose des points d\u2019entr\u00e9e pour explorer des textes riches en images, empreints d\u2019un langage dense et parfois po\u00e9tique.
\u2013 Shakespeare et Commedia dell\u2019Arte<\/strong>
Raconte comment Shakespeare et la Commedia dell\u2019Arte sont compl\u00e9mentaires dans la formation de l\u2019acteur.
\u2013 Vocal Traditions: The Roy Hart Tradition\u00a0<\/strong>par Kevin Crawford et Noah Pikes
Un aper\u00e7u de la Tradition Roy Hart, son histoire et approche p\u00e9dagogique<\/p>\n\n\n\n
\u2013 Roy Hart and Roy Hart Theatre\u00a0<\/strong>par Bernadette Sweeney and Kevin Crawford: Routledge Performance Practitioners: date de publication \u2013 \u00e9t\u00e9 2021.<\/p>\n\n\n\n