Depuis son dipl\u00f4me de l\u2019Acad\u00e9mie de musique de Ljubljana, Sa\u0161o Vollmaier travaille dans des contextes tr\u00e8s divers, depuis les ensembles de musique de chambre jusqu\u2019aux groupes alternatifs.<\/p>\n\n\n\n
Il est associ\u00e9 au groupe de musique d\u2019avant-garde Laibach depuis 2007, en tant que pianiste, arrangeur et musicien de studio. S\u2019inspirant de la production des pionniers du son industriel slov\u00e8ne, le projet piano solo de Sa\u0161o comprend des re-cr\u00e9ations de plusieurs morceaux de Laibach, notamment Smrt za smrt, Krvava gruda, Ti, ki izziva\u0161 et Le privil\u00e8ge des morts.<\/p>\n\n\n\n
Sa\u0161o \u00e9volue entre deux mondes, le classique et l\u2019industriel, cherchant les liens entre eux en r\u00e9alisant une synth\u00e8se entre r\u00e9p\u00e9tition, minimalisme et large gamme dynamique. Cette exp\u00e9rience lui est cruciale pour comprendre les \u00e9l\u00e9ments de la musique industrielle, l\u2019int\u00e9r\u00eat pour la politique, la conscience de soi et l\u2019opportunit\u00e9 de s\u2019exprimer dans ce genre musical particulier.<\/p>\n\n\n\n
En 2003, il rencontre\u00a0Panth\u00e9atre<\/a><\/em>, \u00e0 Paris. Cette collaboration lui ouvre de nouveaux horizons et de nouvelles possibilit\u00e9s dans le travail de la voix. Il les poursuit en accompagnant des chanteurs, en enseignant dans diff\u00e9rentes institutions musicales et en jouant avec des musiciens dans plusieurs formations musicales.<\/p>\n\n\n\n En 2013 \u2013 2018, il s\u2019installe en France pour son d\u00e9veloppement professionnel et personnel. Il cr\u00e9e des pi\u00e8ces de th\u00e9\u00e2tre musical et \u00e9largit sa pr\u00e9sence sur sc\u00e8ne en tant qu\u2019interpr\u00e8te \u00e0 travers voix, mouvement, musique. La m\u00eame ann\u00e9e, il commence le projet \u00ab G\u00e9n\u00e9ration \u00bb en tant que directeur musical, ce qui lui permet de rencontrer le Roy Hart Theatre en termes de puissance de la pr\u00e9sence, de fragilit\u00e9, d\u2019expression, d\u2019authenticit\u00e9 et de curiosit\u00e9. Sa collaboration avec Paul Silber a \u00e9t\u00e9 l\u2019une des plus importantes. Ensemble, ils ont cr\u00e9\u00e9 plusieurs spectacles, dans la mise en sc\u00e8ne de Clara Silber-Harris.<\/p>\n\n\n\n Sa\u0161o Vollmaier enseigne les aspects musicaux, encourage les \u00e9l\u00e8ves \u00e0 inventer leur propre langage, \u00e0 travailler la pr\u00e9sence, la voix et le mouvement. Cette structure lui permet de d\u00e9finir sa direction. En 2013, il commence sa collaboration avec Susanne Weins. Ensemble, ils animent des ateliers voix\/mouvement \u00e0 D\u00fcsseldorf et cr\u00e9ent leurs propres productions th\u00e9\u00e2trales (Bewegte Oktaven, Fragile Breath, Melancholia, Feng Cha\u2026), mises en sc\u00e8ne par Sabine Seume pour la plupart.<\/p>\n\n\n\n Il travaille comme professeur de chant et pianiste\/accompagnateur principalement en France, Allemagne, Italie, Br\u00e9sil, Suisse et Slov\u00e9nie.<\/p>\n\n\n\n Les cr\u00e9ations de Sa\u0161o Vollmaier incluent des partitions de th\u00e9\u00e2tre et de dessins anim\u00e9s, des arrangements pour ch\u0153ur, fanfares, des big bands, ainsi que des enregistrements en tant que musicien de studio.<\/p>\n\n\n\n Il parle slov\u00e8ne, anglais, et un fran\u00e7ais de la rue.<\/p>\n\n\n\n Contact<\/strong><\/p>\n\n\n\n contact :\u00a0info@sasovollmaier.com<\/a> Discographie :<\/strong><\/p>\n\n\n\n \u2013 \u2018On voulait tout casser\u2019, Film de Philippe Guillard (musique: Maxime Lebidois & Rom\u00e9o Guillard), piano (2015)
Le travail de la voix l\u2019am\u00e8ne au Centre Artistique International Roy Hart, \u00e0 Mal\u00e9rargues (Gard) o\u00f9 il commence \u00e0 dispenser des cours, \u00e0 collaborer avec d\u2019autres professeurs de voix et \u00e0 donner des concerts et des spectacles.<\/p>\n\n\n\n
Site web :\u00a0https:\/\/www.sasovollmaier.com<\/a>
Instagram :\u00a0https:\/\/www.instagram.com\/saso.vollmaier\/<\/a>
Facebook :\u00a0https:\/\/www.facebook.com\/s.vollmaier<\/a>
Photo: Nika H\u00f6lcl Praper<\/p>\n\n\n\n
\u2013 Nika Vistoropski : Ljuba, piano & voix (2015)
\u2013 Laibach : Spectre, industrial (2014)
\u2013 Laibach : Iron Sky, industrial (2013)
\u2013 Bratko Bibi\u010d & The Madleys : Kabinet \u010dudes Brutka Bimbi\u010da, Avant-Garde, international, classical, experimental (2013)
\u2013 Polona Kasal : Na cesti, electronic, indie, nu-wave (2013)
\u2013 Laibach : Monumental Retro-Avant-Garde, Live at Tate Modern , industrial (2012)
\u2013 Laibach : Revisited, industrial
\u2013 Silence : Musical Accompaniment For The End Of The World , alternative (2012)
\u2013 Zbudimo Kralja Matjazza, world, folk, experimental (2011)
\u2013 New Creatives : Soul Food, soul, funk (2009)
\u2013 Funtango : History, tango (2008)
\u2013 Sonja Lovren\u010di\u010d : Filomundus, world, cabaret, jazz (2006)
\u2013 Haim Isaacs : The hole in the wall, world, experimental (2006)<\/p>\n","protected":false},"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"spoken-language":[254,149,150],"country":[119],"teacher-status":[74],"class_list":["post-16671","teachers","type-teachers","status-publish","hentry","spoken-language-slovene","spoken-language-anglais","spoken-language-francais","country-france-fr","teacher-status-professeur-roy-hart"],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/teachers\/16671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/teachers"}],"about":[{"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/types\/teachers"}],"version-history":[{"count":5,"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/teachers\/16671\/revisions"}],"predecessor-version":[{"id":34802,"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/teachers\/16671\/revisions\/34802"}],"wp:attachment":[{"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/media?parent=16671"}],"wp:term":[{"taxonomy":"spoken-language","embeddable":true,"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/spoken-language?post=16671"},{"taxonomy":"country","embeddable":true,"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/country?post=16671"},{"taxonomy":"teacher-status","embeddable":true,"href":"https:\/\/centreroyhart.org\/fr\/wp-json\/wp\/v2\/teacher-status?post=16671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}