{"id":3477,"date":"2024-10-15T14:33:50","date_gmt":"2024-10-15T14:33:50","guid":{"rendered":"https:\/\/centreroyhart.org\/?post_type=teachers&#038;p=3477"},"modified":"2025-12-02T13:53:56","modified_gmt":"2025-12-02T13:53:56","slug":"toni-cafiero","status":"publish","type":"teachers","link":"https:\/\/centreroyhart.org\/fr\/professeurs\/toni-cafiero\/","title":{"rendered":"Cafiero Toni"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Toni Cafiero a suivi des \u00e9tudes de th\u00e9\u00e2tre \u00e0 l\u2019Ecole Internationale de Th\u00e9\u00e2tre Jacques Lecoq \u00e0 Paris, et des \u00e9tudes de sc\u00e9nographie \u00e0 l\u2019Acad\u00e9mie des Beaux-Arts de Bologne.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il est reconnu pour son travail de metteur en sc\u00e8ne dans plusieurs pays, et de professeur intervenant dans les conservatoires et les universit\u00e9s (Institut del Teatre Barcelone, Tearo Stabile di Torino e Piccolo di Milano, Ecole Nationale de Chaillot, New York University, Real Escuela de Madrid, Accademia Teatrale di Udine e Venezia\u2026).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>E<\/strong><strong>n tant que metteur en sc\u00e8ne il a travaill\u00e9 aussi bien pour le th\u00e9\u00e2tre que pour l\u2019op\u00e9ra.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>O<\/em><em>p<\/em><em>\u00e9ra : mise en sc\u00e8ne, d\u00e9cors et chor\u00e9graphie : Orfeo e Euridice&nbsp;<\/em>de Gluck Festival Valle d\u2019Itria,&nbsp;<em>Pulcinelle&nbsp;<\/em>de Igor &nbsp;Stravinsky, &nbsp;<em>Le &nbsp;Barbier &nbsp;de &nbsp;Seville &nbsp;<\/em>de &nbsp;G.Rossini, &nbsp;Opera &nbsp;National&nbsp; de &nbsp;Montpellier, &nbsp;<em>La &nbsp;Fl\u00fbte Enchant\u00e9e<\/em>, Teatro Storchi de Modena, ,&nbsp;<em>Brundibar&nbsp;<\/em>de Hans Krasa,&nbsp;<em>Le Petit Tailleur de pierre&nbsp;<\/em>de Tibor Harsanyi,&nbsp;<em>Le Medium&nbsp;<\/em>Opera National de Nancy et Montpellier.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Th\u00e9\u00e2<\/strong><strong>t<\/strong><strong>r<\/strong><strong>e : mise en sc\u00e8ne et sc\u00e9nographie<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><u>\u00c0 l\u2019<\/u><\/strong><strong><u>nternational<\/u><\/strong>&nbsp;:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Th\u00e9\u00e2tres &nbsp;National &nbsp;de Rijeka, Pula &nbsp;(Croatie), Th\u00e9\u00e2tre &nbsp;National &nbsp;Dona &nbsp;Maria &nbsp;de Lisbonne (Portugal), Biennale de Venise, Teatro Stabile de Venise, Piccolo Teatro di Milano, Teatro Stabile di Torino, Teatro del Parco Treviso (Italie), Th\u00e9\u00e2tre de Barcelone Mercat de las Flors (Espagne), Th\u00e9\u00e2tre National de Rabat, Instituts culturels fran\u00e7ais (Maroc), La Mama Festival de New York (Etats Unis), Wuk Theater Center &nbsp;de Wien&nbsp; (Autriche), &nbsp;Th\u00e9\u00e2tre National d\u2019Alger &nbsp;(Alg\u00e9rie), Th\u00e9\u00e2tre &nbsp;de &nbsp;Almada Lisbonne (Portugal) Th\u00e9\u00e2tre de Novosibirsk, et Voronech (Russie)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><u>En<\/u><\/strong>&nbsp;<strong><u>F<\/u><\/strong><strong><u>r<\/u><\/strong><strong><u>a<\/u><\/strong><strong><u>n<\/u><\/strong><strong><u>c<\/u><\/strong><strong><u>e<\/u><\/strong>&nbsp;:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sc\u00e8ne Nationale de Narbonne (<em>La vie est un Songe&nbsp;<\/em>de Cald\u00e9ron De La Barca,&nbsp;<em>Les G\u00e9ants de la Montagne&nbsp;<\/em>de L.Pirandello), Scene Convention\u00e9e de Bretigny (<em>Trilogie de Belgrade&nbsp;<\/em>de Bjliana Sbriljanovic), Th\u00e9\u00e2tre Jaques Coeur de Lattes (<em>Julius Caesar&nbsp;<\/em>de Shakespeare,&nbsp;<em>Avis aux Int\u00e9ress\u00e9s&nbsp;<\/em>de Daniel Keene,&nbsp;<em>En attendant le R\u00e9vizor&nbsp;<\/em>d\u2019apr\u00e8s Nicolas Gogol), au Th\u00e9\u00e2tre Jean Vilar de Montpellier (<em>Arsenic&nbsp;<\/em>de J. Kesserling,&nbsp;<em>Les Valets&nbsp;<\/em>de C.Goldoni,&nbsp;<em>Dakota&nbsp;<\/em>de Jordi Galceran, L\u2019<em>Avare&nbsp;<\/em>de Moliere,), Th\u00e9\u00e2tre de Perpignan (&nbsp;<em>Le Mouton et la Baleine&nbsp;<\/em>de Amed Ghazali,&nbsp;<em>Le Gris&nbsp;<\/em>de H.Haber,&nbsp;<em>Les deux tibias&nbsp;<\/em>de Daniel Keene,&nbsp;<em>Inconnu a cet adresse&nbsp;<\/em>de Kressmann Taylor,), Sc\u00e8ne Nationale Phenix (<em>Amiti\u00e9&nbsp;<\/em>de E. De Filippo,&nbsp;<em>La noce&nbsp;<\/em>de A. Tcheckov), Festival Printemps de Com\u00e9diens de Montpellier (<em>En pleine&nbsp;<\/em><em>m<\/em><em>er&nbsp;<\/em>de S.Mrozek,&nbsp;<em>Le plus fort&nbsp;<\/em>de A.Strindberg,&nbsp;<em>Celle La&nbsp;<\/em>de Daniel Danis<em>, Le chien la nuit et le couteau&nbsp;<\/em>de Marius Von Mayenburg,&nbsp;<em>Ivan et le chiens&nbsp;<\/em>de Hattie Naylor, Carmen opus1#,&nbsp;<em>Delinquentes : d\u2019apres Carmen Medee, Cassandre<\/em>,&nbsp;<em>Caresse&nbsp;<\/em>de Sergi Belbel),&nbsp;<em>Nature mort dans un foss\u00e9&nbsp;<\/em>de Fausto Paravidino, Th\u00e9\u00e2tres de Perpignan, Chai du Terral et Jean Vilar, Theatre d\u2019O de Montpellier (<em>Kvetch&nbsp;<\/em>de Berkoff)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Contact<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">E-mail:&nbsp;<a href=\"mailto:tonicafiero@tmail.com\">tonicafiero@tmail.com<\/a><\/p>\n","protected":false},"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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