D\u00e8s l’enfance, le langage la fascine. Les voyages aussi. Elle fait des \u00e9tudes de lettres, r\u00e9ussit l’agr\u00e9gation et part enseigner la litt\u00e9rature fran\u00e7aise en Angleterre, au Maroc puis \u00e0 Moscou. En 1978, elle s’engage dans le th\u00e9\u00e2tre en d\u00e9couvrant le Roy Hart Theatre en C\u00e9vennes. Apr\u00e8s dix ans \u00e0 Mal\u00e9rargues et un bref s\u00e9jour en Italie, elle s’installe dans les Hautes-Alpes, y ouvre une option th\u00e9\u00e2tre en lyc\u00e9e et fait d\u00e9couvrir le th\u00e9\u00e2tre contemporain aux jeunes. Parall\u00e8lement, elle s’oriente vers le conte et cr\u00e9e ses propres textes, sans toutefois abandonner le th\u00e9\u00e2tre comme en t\u00e9moigne un de ses derniers spectacles o\u00f9 elle interpr\u00e8te ‘L’Homme Semence’ de Violette Ailhaud (Editions Parole).<\/p>\n\n\n\n
Agn\u00e8s Dumouchel s’est form\u00e9e avec Rossignol Derek, Paul Silber, Ian Magilton, Kozana Lucca et Jonathan Hart.
Elle parle fran\u00e7ais et anglais.<\/p>\n\n\n\n
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