Welcome to the Roy Hart Voice Centre !

International centre dedicated to the research and transmission of the work of Alfred Wolfsohn, Roy Hart, and the Roy Hart Theatre

Since 1974 the Château de Malérargues, founded by the Roy Hart Theatre, has been a unique venue for exchange, teaching, training and creation. The Roy Hart Voice Centre welcomes artists, students, educators, and curious souls from all over the world, who come to find unique approaches to voice, body, movement, and psychology, applicable not only in the performing arts but also in everyday life. The work at the Centre is based on a history of almost 100 years of research, study and practice of the human voice without boundaries.

Workshops

Workshops in Malérargues and around the world

Events

Performances, festivals, exhibitions ...

Teachers

Roy Hart Voice Centre teachers, guest teachers ...

Resources

Articles, books, sound recordings, videos ...

Upcoming Workshops

News

Attention Travaux, Centre de Voix Roy Hart

Somewhere … the voices that dance to me

“Somewhere … the voices that dance to me”, show at the Théâtre de Malérargues on Sunday 22 March 2026 at 6:30 PM. An artistic and archival exploration with voice, body and presence, with Emyle Daltro and Pauline Molinari (Brazil)

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Opening voices in Palestine

The Roy Hart Voice Center (France) is organizing an artistic workshop in Palestine in 2026. Our partner is the Palestinian National Theater – El Hakawati, in East Jerusalem. The spoken and sung voice workshop is intended for Palestinian amateurs and professionals. It includes sessions of creative writing.

Read more »

Opening voices in Palestine

The Roy Hart Voice Center (France) is organizing an artistic workshop in Palestine in 2026. Our partner is the Palestinian National Theater – El Hakawati, in East Jerusalem. The spoken and sung voice workshop is intended for Palestinian amateurs and professionals. It includes sessions of creative writing.

Lire la suite »

Performances

Upcoming 2026 programming

Resources

Singing, as defined by Alfred Wolfsohn and Roy Hart, is an extraordinary idealistic and demanding proposal – I am especially interested in its Talmudic backdrop. Protestant enthusiasm often takes over: its cult is also called singing. This, from a baroque, neopagan ‘goy’.
Pardo Enrique

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